The breeze came down
from the topmost spire
and wrapped its arms around her,
sweeping her along and up the stairs.
There on the topmost step,
with the great bronze angel
looming up on high,
she stood and looked at the figures
carved in white marble.

And then she wasn’t sure
whether they came down to her
or whether she went up to them
for suddenly they were all around her,
birds chattering and clucking, cooing and whistling,
warbling, trilling, tweeting, cheeping and chirping,
and in the waves at her feet water snakes
and eels and fish with fine scales
and crabs and lobsters scittered and slithered
and wiggled and swam in the water
delighted at the new-found world
their Creator had just given them.
He spread wide his arms and animals of all kinds
began to roam the earth.
The buffalo snorted and stamped
on the ground with their hoofs,
the horses raced whinnying in groups
along the beach to the ocean,
tiger and lion prowled the jungle,
camels wondered why they had two humps
as giraffes stretched out their long necks
to browse on the trees.
Wolves trotted along the plain,
antelopes and mountain goats
clambered over the rocks.
And He, the Creator, stood at one side
smiling down at his creatures
while the two neighboring angels
whispered together and sent sidelong glances
at the little girl with copper colored hair
and with a tiny green frog
perched on her shoulder
who had suddenly
appeared out of nowhere.

What in the world is that, they asked.
She doesn’t have feathers, or wings like us.
She doesn’t have scales or swim in the water.
And they whispered together and thought
they would wait and see
just how she fitted into the picture
as she crossed the threshold and floated,
dancing, down the aisle,
with a host of other creatures in her wake.
Behind the scenes, since you’ve asked
It was probably 1972 or 73 and I was teaching art history, so-called baby art, at Gonzaga in Florence. When summer came I invited several students to come stay with me in Orvieto and one lovely girl was to help me out in the craft shop I had at the time. We became good friends and I eventually visited her in Baltimore where I also met her small daughter Charlotte. One of the gifts I brought for her were a couple of small green wooden frogs made by the Michelangeli workshop. Subsequently I wrote the Story for Charlotte about the frogs.
Much much later, seeking an idea for a post, I chanced on the story and turned it into A Story for a Copper-Haired Little Girl.
An”Alice in wonderland” sounding tale
Delighted to read and reminisce of child hood days of adventure and discovery.
Attilla
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And now we have Part Two! I had been wondering how you would finish the tale Erika. This ending feels natural, very fitting – and optimistic. Hopeful. I like that. Our poor bashed up World needs reminders of hope.
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