Alternative version thinking of Luca Signorelli’s frescoes in the Cathedral.
The breeze came down
from the topmost spire
and wrapped its arms around her,
sweeping her along and up the stairs.
There on the topmost step,
with the great bronze angel
looming up on high,
she stood and looked at the figures
carved in white marble.
And then she wasn’t sure
whether they came down to her
or whether she went up to them
for suddenly they were all around her,
birds chattering and clucking, cooing and whistling,
warbling, trilling, tweeting, cheeping and chirping,
and in the waves at her feet water snakes
and eels and fish with fine scales
and crabs and lobsters scittered and slithered
and wiggled and swam in the water
delighted at the new-found world
their Creator had just given them.
He spread wide his arms and animals of all kinds
began to roam the earth.
The buffalo snorted and stamped
on the ground with their hoofs,
the horses raced whinnying in groups
along the beach to the ocean,
tiger and lion prowled the jungle,
camels wondered why they had two humps
as giraffes stretched out their long necks
to browse on the trees.
Wolves trotted along the plain,
antelopes and mountain goats
clambered over the rocks.
And He, the Creator, stood at one side
smiling down at his creatures
while the two neighboring angels
whispered together and sent sidelong glances
at the little copper-haired girl
and the tiny green frog
perched on her shoulder
who had suddenly
appeared out of nowhere.
What in the world is that, they asked.
She doesn’t have feathers, or wings like us.
She doesn’t have scales or swim in the water.
And they whispered together and thought
they would wait and see
just how she fitted into the picture,
The Creator looked at the little girl
with her copper-colored hair.
Come, let me show you something else.
He reached down and took a handful of earth,
shaping it into the semblance
of a man and a woman.
Setting the couple under a tree,
He glanced at the little girl,
It is now up to them, He reflected.
As they began
to think for themselves,
the thought occurred to Him
that breathing life
into these two figures
entailed unforeseen risks.
But by then it was too late,
the harm had been done.
The little girl, sunbeams toying
with the strands of her copper-colored hair,
her curiosity piqued,
looked at Him questioningly,
“yes, please, I want
to know what comes next.”
The little green frog,
still perched on her shoulder,
tried his best to stop her
from crossing the threshold of no return.
To no avail, and she moved on,
with a host of other creatures in her wake,
and floated,
dancing, down the aisle,
into a Pandora’s box of a future
with its reign of flames and hell and suffering,
a world the Creator had never meant to be
lovely, provocative!
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ErikaIt gets more interesting with each rendition! Is the girl Eve? Is she the first human sans Adam? Is the Frog nature, the Pagan? And as she enters the cathedral is th
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Both were enjoyable, but I liked the second version better. Good imagery.
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“Camels wondered why they had 2 humps”…What a great line!!!
Tom Tiberio
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Well, this version certainly is a whole different poem! I like it. Here we have the Creator bringing Adam and Eve into being and thus the whole story of humankind – I like that expansion of scope. We are taken on a journey. It’s curious how the little girl with the copper-coloured hair is now present both at the Creation and as Eve’s distant offspring. I can see now this arises from the conjunction of the sculpture above the church and the memory of a young visitor years ago, but there’s an unexpected spark of imagination. And incidentally the frog remains as part of the memory – but now suggesting something else, somehow unresolved. That’s poetry!
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