She sat alone
in the front seat of the car
as it moved swiftly
through the hills,
oblivious to the chatter around her
which she could barely hear.
It was night.
The moon was playing
hide and seek with the clouds.
Turner and his moonscapes
came to mind.
Tall ghostly grasses
heavy with seed pods,
bent over the road.
Momentarily illuminated,
they waved in the wake
of the passing car.
The words floating in the air
around her
changed to memories,
a journey through memories.
How often had she wound her way
along these roads
and even now
she knew what lay ahead
under their cloak of darkness.
Here in these woods
she had once come upon
a group of hunters,
with more dogs than men,
preparing for a boar hunt,
and thought of medieval
manuscript illuminations.
Duc de Berry.
Further on where the forest
thinned out
a flight of stairs led to a castle
and a tower.
Castello della Sala.
Antinori, famed for their wine,
a family for whom she
had once translated a book.
This was where
she and her companion
had met a woman who said she was ninety
and that if you lived here you were bound
to reach that age.
The road climbed up
past a long low structure on the left,
its windows boarded up,
where more families than one
had lived, their white oxen
stabled on the floor below.
Now empty, the farmhouse
had been bought by a Dutchman
she was told.
She wondered why he had in turn
abandoned it.
Curve after curve,
one had to drive carefully,
up to the Valico di Monte Nibbio,
the pass of the hawk,
the highest point before reaching the town.
From here, in daylight,
one looked over a valley on either side,
the one on the left
with the toll highway down below,
marked at this time of night
by a string of lights of cars heading elsewhere,
the other too steep for farming,
had reverted to nature and its woods.
Did the hawk still
soar over these valleys
in search of prey?
The road now straight
knew where it was going.
She had always thought
the church set in a hollow on the left,
with cypresses on either side the portico,
would be a perfect setting
for a wedding.
A bit further on,
to the right,
the display of traditional terracotta wares
reflected the origins of the town,
Ficulle, from figulino referring
to the art of the potter and the clay pits
that had provided generations of potters
with their raw materials.
The jugs and pitchers,
lead-glazed with splashes
of dark green,
held wine for the farmer’s table.
Lead was no longer employed
and she could only hope
the potter and those who used his wares
had not been adversely affected.
Then came the town itself,
an agglomeration of stone habitations
lining narrow streets.
Few souls wandered around this time of night
as they found a place to park the car.
Closing the door on her past,
she returned to the world of today
and wondered what new memories were in the making.
What an enchanting picture you paint, Erika, with its spectacular landscape, its local architecture and its history. Certainly a place to generate memories.
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As I get older, I too take more journeys through memories. Mike S
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pure poetry, pure Umbrian imagery! Thank you for this lovely evocation. And Happy New Year, which I will wish you a viva voce!
James II
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I can visualize the journey.
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I hope that readers of these pieces will also choose to be listeners, since when read in Erika’s own distinctive voice her written words have extra resonance.
There are many noteworthy moments, but I have two favorites. One is where now nonagenarian Erika quotes the 90-year-old about how to reach that age. The other is at the end where the speaker looks forward to the new memories to come. I, Diane Joy Charney, who treasures her Ficulle pots, will remember this piece. 💐
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